Showing posts with label 1962. Show all posts
Showing posts with label 1962. Show all posts

17 March 2014

GQ's Ireland (1962)










GQ Magazine, April 1962

While GQ seemed to be the smaller and more intellectually challenged little brother of Esquire, and I've waded thru years and years of both….GQ, for a time, stood on firm turf in the early to mid '60s... both visually and in the writing.  This April issue celebrated Ireland and it has a moody and dark attitude.  I love it.

An GQ is not easy to find and this came from a bound volume so scanning was a challenge.  However, inspirational ideas, fashion jargon for 'stealing,' are everywhere despite the binding.  Not only in unique layout, photography and stories but in the apparel itself.  The nubby stripe shirt reminds me of nubby silk Rooster tie stripes -- A mitre madras shirt reminds me of…nothing. It's unlike anything I've ever seen and I'd kill to have one today.  A rain coat with hacking pockets and sleeve turn ups?  I'd buy that.  I'm even saving up for a Jill Gill - - the NYC artist of all those beautiful whiskeys.

I know fashion designers dig thru these old mags but do fashion editors?  I'm guessing most do not.  And for the very first time, during NY Fashion Week, my hunch was confirmed from widely divergent sources regarding what we'll call,  "Fashion editor illiteracy."   "He didn't know shawl from peak."  "Zip knowledge of apparel history."  "I had to explain canvas construction." "All he liked was black." You get the idea.

I sat in front of Nick Sullivan at Esquire and in a couple minutes he showed me a 1950's Mac hanging on the back of his office door and pointed out the construction suggesting it might even be my size.  We discussed the military influence of clothing and why stealing unit insignia was not only vulgar but unnecessary.  And sure, there was the 24 hour "shoe-cam" which was monitoring what he wore on his feet everyday…but the man was fashion literate.  That much you could not argue.

G. Bruce Boyer bemoaned the GQ of today doing a 20 page spread on jeans and t-shirts.  It's what they know, Bruce.    But I'm guessing there's an archive somewhere in that GQ office and I'd like to suggest it would be a lot more fun to go thru than the PR pitches.

10 January 2014

Discovering Gene McDaniels



After expressing my intense dislike of  Frank Sinatra over a pre-Christmas dinner, I was asked who my favorite "Crooner" was. Was it Mel Torme? "No," I said while thinking Mel was more obnoxious than Frank.  "Tony Bennett?" I shook my head and added, "Only if it's Alec Baldwin doing Bennett." "Well…who then?"  I thought for a moment and finally blurted, "Harry Nilsson." My dinner companions feigned an ersatz, "Hmmm, interesting…" and returned to their Welsh Rarebit appetizer.

If I had only seen Gene McDaniels.

Hidden away in the white watusi world of Dixieland Jazz and Brit Pop that is, "It's Trad Dad," which I do love, is the elegant performance of Gene McDaniels lending soul to an equally white watusi Bacharach and David standard, "Another Tear Falls." It's timeless, smokey and sadly too short -- McDaniel's creamy but blasting vocal gives me goosebumps.

My cynicism was not at all surprised when I discovered Gene McDaniel's singing career never took off the way it should have.  But Gene wrote the hit, "Compared to What" for Les McCann and in this video shortly before his death in 2011, he goes into fascinating detail about his struggles and his eventual success as songwriter and music producer.

I'm just beginning to discover Gene and have no business writing about his career or music.  But if you, like me, never heard of Gene and are as moved by "Another Tear" as I am, then you'll have an answer when asked who your favorite crooner is.

Eugene McDaniels Website

16 June 2011

Dartmouth - The Fall of 1962




This look at Dartmouth is lovingly dedicated to Alpha Delta Phi. The inspiration for 1962 graduate Chris Miller's, 'Animal House' and to Uncle Looney. Not only for the heads up, but for not bidding against me.

























"For the AD Gridders, Truck Bates, Marx, Mick, Stu, Hydrant and Bags. The Puckers: FA Mack, Blinky and Cooky. Pugilism flourished with Sonny, Mumbles, Turnip, Hydrant and Huck Doody. Giving their all for the Big Green were Stu, FA, Magpie, Bags, Jones, Baggaley, Huck, Belly, Ballantine, Cooky and Marx. Cooley and Delia made the scene."

15 June 2011

Dartmouth - The Winter of '62

















"Men, like bullets, go farthest when they are smoothest." J.P. Richter

14 June 2011

Dartmouth - The Spring of '62












"It's a small college and yet there are those who love it." Daniel Webster